Bollywood Biz : The Business of Bollywood
Promotions
Movie producers are increasingly taking innovative
steps to promote their offerings, besides the use of
social and digital media. Corporate Citizen explores the
fascinating modes of movie promotions
The business of cinema
has evolved
along with the art
of making movies.
Till the 80's
movies would
be released on a certain date,
audiences would watch them and
then spread the word by word
of mouth. With the 90's came
the advent of television in every
home, and producers adapted by
releasing trailers and ads on TV.
Fast forward to today, where social
media and smartphone usage
is rampant, movie producers are
taking more and more innovative
steps to promote their offerings.
Just a decade back, leading actors
would sign multiple movies
at one time, often having three to
four releases a year. Promotions
at that time were limited to making
a few appearances and press
conferences around the eve of the
film’s release, and that was that.
The money involved in cinema
was also relatively modest, with
movies having lean budgets,
backed by indie producers.
Today’s movie budgets run into
hundreds of crores, are backed
by large corporate houses with
the stakes too high. There are
eight to ten movies that release
every month, and competition is
intense. Add to that the damage
done by the piracy industry,
and the picture becomes scary.
Promotions have gone from
being an expendable luxury to a
requisite necessity. The one thing
Bollywood does know, though, is
to adapt fast…and how!
If there is an actor who understands
the power of branding, it is
the Baadshah of Bollywood Shah
Rukh Khan. And nowhere is his
promotional acumen more visible
than during the promotions of
India’s most expensive film Ra.
One. Made on a budget of Rs.160
crore, SRK left no stone unturned
to promote this superhero film.
Promotions started ten months in
advance in January for a Diwali
release. While unveiling the first
look of the film, he also created
a 3,600-feet long fan mail, collecting
audience wishes and messages.
The fan mail would then
travel to 36 cities across the world
to promote Ra.One. Such was
the marketing clout of SRK, that
everyone from colas to watches
to mobile phones and socially
relevant causes, even brands that
SRK has not been associated with
in the past collaborated with
Ra.One. SRK spend
a whopping Rs.40
crore on the film’s
promotions by the
time it hit the theatres.
The movie was universally
panned by critics and would otherwise
have been a flop, but the
grandiose promotions managed
to get audiences into theatres, and
the incessant promotions even after
the release ensured the movie
became a superhit, grossing Rs.240
crore worldwide.
Yash Raj Films took Dhoom 3
promotions to a whole new level, by
launching the eponymously titled
bike racing game Dhoom 3 on Apple
and Android phones.The game was
downloaded half a million times
and got a lot of user engagement,
which helped draw audiences to
theatres enabling the movie to rake
in over Rs.550 crore at the box office
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Where SRK chose the promotions
of excess, Aamir Khan and
Rajkumar Hirani chose to do
the exact opposite – they chose
secrecy. PK was probably the
most closely guarded Bollywood
movie, in which no one had an
inkling of the movie’s plot till
the day of its release. The movie
had already been in the news
for almost two years due to the
profile of Aamir Khan and Hirani,
but curiosity peaked when
a motion picture was released
featuring Aamir Khan in the
nude with only a transistor as
cover. Twitter went wild and #pk
was the most trending topic of
the week. Every week after that,
the makers released an additional
motion picture, featuring other
members of the cast. Aamir Khan
made many public appearances
to promote the movie, but did
not give even a minor clue about
what the movie was about. The
many public appearances by the
leading cast and director, but no
clue as to the movie’s story, drove
the audience crazy with anticipation,
and everyone thronged to
the theatres the day the movie
released. Marketing gurus who
had earlier criticised this promotion
of austerity, now couldn’t
stop heaping complements once
PK became the highest grossing
Bollywood movie, raking over
Rs.600 crore at the box office
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Yash Raj Films, one of the
leading film studios in India,
took Dhoom 3 promotions to
a whole new level, by launching
the eponymously titled bike
racing game Dhoom 3 on Apple
and Android phones, which has
been downloaded on over 5 lakh
devices. The game got a lot of user
engagement, and helped draw
audiences to theatres enabling the
movie to rake in over Rs.550 crore
at the box office.
Movie promotions are not
always on the mark though. The
makers of the horror movie Agyaat
took the promotions of their
movie to a whole new creepy level
by hanging a dummy of a human
dead body on the hoardings of
the film. The blood oozing out
of the dummy was so grotesque
that the onlookers complained
to the police and got the dummy
removed.
In an age of instant connectivity,
filmmakers are pulling out
all stops to connect with their
audience. YouTube and twitter
campaigns, fan contests, brand
tie ups, and viral marketing
campaigns are the tools for the
ultimate battle for your wallet.
So sit back, pop the popcorn
and prepare to get wooed!
By Neeraj Varty